http://www.elizabethrashley.com linoblog Sun, 30 May 2010 15:43:57 +0000 http://backend.userland.com/rss092 en The inspiration for this print was a magnolia tree in the park down the road. I think the colours are simple but very effective.]]> http://www.elizabethrashley.com/2010/05/02/magnolia/ http://www.elizabethrashley.com/2010/04/23/238/ This time I lightened the blue and used olive green. Perhaps it turned out a bit too green. Might have looked better if the sky/ background at the top was blue. Too late now!]]> http://www.elizabethrashley.com/2010/04/11/mary-mary-quite-contrary/ The dynamic diagonal works well on this one.]]> http://www.elizabethrashley.com/2010/04/11/winner/ Finally I cut out all the areas that are red. Now only the areas of the design that I want to be black remain. The final printing is in black ink and then the print is complete. The registration is immaculate on some of the prints because even the lines between the woman’s toes have [...]]]> http://www.elizabethrashley.com/2010/02/18/final-cut-and-final-printing/ Next I clean the block and cut out everything in the design that I want to appear in yellow ochre. I then print the block for a second time in the next colour, in this case scarlet red. I print the block in exactly the same position on the paper each time. The red prints [...]]]> http://www.elizabethrashley.com/2010/02/17/second-cut-and-second-printing/ I’ve cut out the white lines of the image only. Then I print the block at this stage using the lightest colour ink in the design – in this case yellow ochre.]]> http://www.elizabethrashley.com/2010/02/16/first-printing-of-reduction-cut/ You can see the design that I have drawn in felt tip for this print on the right of the photo. Firstly, I transfer the reversed image of the design onto the lino using tracing paper. Then I cut only the white lines of the design into the lino.]]> http://www.elizabethrashley.com/2010/02/15/a-reduction-print-from-scratch/ I printed this block in just black, but I think I will experiment with two greys and black next. The wall in the foreground will be light grey, the middle ground including the tree and birds will be black and the sky will be dark grey – I think.]]> http://www.elizabethrashley.com/2010/02/13/moorland-wall/ The first time that you ink up a block is very exciting. It’s the first time that you get a sense of the contrasts within the print.]]> http://www.elizabethrashley.com/2010/02/12/inking-up-moorland-wall/